Lesson 19.11.25


Print on Demand


Input

https://abc.nl/betty

https://www.lulu.com/

Print auf Verlangen

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Franzi & Tim

Why POD?

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Lenny & Clara

Production Process

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Kristina & Edda

Print Wikipedia

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Johanna & Sooryeon

Excercise

Print on Demand — book sharing extreme

Cut out (as a group assignment) an essay from the publication “Library of Artistic Print on Demand” and at least 4 examples of artistic works.

Rebind the pages.

Read the text and prepare 4–5 slides on the most important insights from the essay, making it accessible to others.

  • Why is print on demand interesting?

  • How does print on demand work?

  • How can print on demand be used artistically and creatively?

  • Think about how you could implement a print on demand project (within the infrastructure of the university) and how it could be well implemented in terms of design.

    1 PDF as a group, please

    Lesson 12.11.25


    InDesign scripting


    Discussion posters & texts

    • GRAPHIC Magazine: Introduction to Computation
    • Graphic Design Systems and the Systems of Graphic Design, Francisco Laranjo
    • Graphic Design in the Post-Digital Age (especially Introduction)
    • https\://p-dpa.net/
    • Flexible Visual Systems, Martin Lorenz
    • Programme Gestalten, Gerstner
    • Form + Code, Casey Reas

    Indesign Scripting

    -> separate .md file for this

    Take an essay from Library of Artistic Print on Demand and at least 4 examples from the book.

    • Rebind it.

    • Read the text and prepare 4-5 slides on the most important insights from the essay, make it accessible to others.

      • Why is print on demand interesting?

      • How does print on demand work?

      • How can print on demand be used artistically and creatively?

    • Think about how you could implement a print on demand project (within the infrastructure of the university) and how it could be implemented creatively.

    indesign_scripting_plugins

    What you will need

    • Adobe Cloud Abo :((((

    • UXP Developer Tools, you can download from the Adobe Cloud

    • VSCode

    • A Laptop with Indesign installed

    Create Plugin

    In the UXP Dev Tools click create plugin

    https://developer.adobe.com/indesign/uxp/static/34d8a6a31d12429b5c05ae1879c42001/e3dad/create-plugin.webp

    My First Plugin
    
                                ├── manifest.json
    
                                ├── index.html
    
                                └── index.js
                                

    You can click run and watch to test it

    Making chances

    In the index.html you can add elements:

    <div class="wrapper">
                                        <h3>Hello World!</h3>
                                        <button id="btnCreateText">Create Text</button>
                                    </div>
                                

    Entry Points

    There are two types of entry points: commands and panels.

    • Commands are "run and forget" entry points that are invoked by the user, such as a menu item or a keyboard shortcut.

    • Panels have a panel that can be opened by the user from the UI. The user can then interact with the panel.

    Access to elements

    InDesign Document Object Model

    const myInDesign = require("indesign");
    
                                const app = myInDesign.app;
                                

    https://developer.adobe.com/indesign/uxp/static/90109b1accdcec4bb3d4bed4275e08c6/d5269/id-om.webp

    Get the foremost document

     let doc = app.activeDocument;
                                

    Add a new document

        app.documents.add();
                                

    Get pages from document

    doc.pages;
                                doc.pages.length;
                                

    Functions

    add an entrypoint for the panel functions

    entrypoints.setup({
                                    commands: {
                                        showAlert: () => showAlert()
                                    },
                                    panels: {
                                        showPanel: {
                                            show({node} = {}) {
                                                const btn = document.querySelector('#btnCreateText');
                                                if (btn) {
                                                    btn.addEventListener('click', createText);
                                                }
                                            }
                                        }
                                    }
                                });
                                

    This is an event listener for the button;

    add text on page

        page = doc.layoutWindows.item(0).activePage;
                                    const bounds = [12 + counter, 12, 72 + counter, 200]; // top, left, bottom, right in points (shifted down by counter)
                                    counter = counter + 10;
                                    const textFrame = page.textFrames.add({ geometricBounds: bounds });
                                    textFrame.contents = "hello world";
                                

    add a rect

     const rect = page.rectangles.add({ geometricBounds: bounds });
                                rect.strokeWeight = 2;
                                

    ####

    add a new page

        // add a new page to the document
                                    const newPage = doc.pages.add();
                                    // make the new page the active page in the layout window
                                    doc.layoutWindows.item(0).activePage = newPage
                                

    select a specific page

    const p = doc.pages.item(i);
                                

    loop through all pages

          for (let i = 0; i < doc.pages.length; i++) {
                                        console.log(i)
                                        const p = doc.pages.item(i);
                                        const pageBounds = p.bounds; 
                                        const leftMargin = pageBounds[1] + 12;
                                        const bounds = [12 + counter, leftMargin, 72 + counter, leftMargin + 188];
                                        const textFrameOnPage = p.textFrames.add({ geometricBounds: bounds });
                                        textFrameOnPage.contents = String(i);
                                    }
                                

    The bounds of the Page, in the format [y1, x1, y2, x2].

    Resources

    Official Tutorial:

    https://developer.adobe.com/indesign/uxp/plugins/getting-started/

    InDesign DOM Api

    https://developer.adobe.com/indesign/dom/api/d/Document/

    Exercise

    Design = System

    Media change: Poster.

    Please work in GROUPS OF TWO to design a DIN A1 poster (digital only) using a new tool of your choice on the topic: Design = System.

    Please use at least one of the following readings as a reference and then explain what you have taken from the reference.

    • GRAPHIC Magazine: Introduction to Computation
    • Graphic Design Systems and the Systems of Graphic Design, Francisco Laranjo
    • Graphic Design in the Post-Digital Age (especially Introduction)
    • https://p-dpa.net/
    • Flexible Visual Systems, Martin Lorenz
    • Programme Gestalten, Gerstner
    • Form + Code, Casey Reas (the PDFs are available on Seafile)

    Design: almost automatic.

    Please roll the dice for the most important design parameters:

    Microtypography (typesetting)

    • Sans serif OR serif OR slab serif font
    • Small OR large font sizes
    • 1 OR 2 OR 3 font styles
    • Markup italic OR underlined OR spaced
    • Type setting justified OR ragged

    Macrotypography (layout)

    • Type area position
    • Type area
    • Column title
    • Number of grid units
    • Illustrations with narrow OR medium OR large margins
    • Symmetrical OR asymmetrical to the gutter
    • Below type area OR above type area OR in outer margin
    • horizontal: two OR three OR four OR five
    • 30% OR 50% OR 70% of the area

    Please bring two to three layouts per person as a group in a PDF file. (always roll the dice again :)

    Lesson 05.11.25


    Web to Print 2


    Exercise Discussion

    https://pad.riseup.net/p/pagedjs-docs-keep

    Generative design


    Introduce an element into your design that is variable or generative. This means that either the output of the publication is always different, i.e., no two publications are alike, or elements within the publication vary. Helpful functions here are: random, noise, external inputs, reacting to the page number, reacting to the content, variation of the content, content generated live from the internet.

    Collect: Which elements could now be designed dynamically?

    Dynamic content

    Are.na to print

    Indesign Scripting

    (?)

    Exercise

    Create dynamic variations of the booklet and continue with your design.

    Exercise 2

    Using a new tool of your choice, create a DIN A1 poster on the topic: Design = System.

    Use at least one of the following readings as a reference, then explain what you have learned from the reference.

    – GRAPHIC Magazine: Introduction to Computation

    – Graphic Design Systems and the Systems of Graphic Design, Francisco Laranjo

    – Graphic Design in the Post-Digital Age (especially Introduction)

    https://p-dpa.net/

    – Flexible Visual Systems, Martin Lorenz

    – Programme Gestalten, Gerstner

    – Form + Code, Casey Reas

    (PDFs are available on Seafile)

    Exercise

    Booklets

    Make a Booklet with pajed.js

    Use the Text and the Rules you formulated in the last exercise and make a booklet using only paged.js.

    print & bring the finished zines

    Lesson 29.10.25


    Web to Print 1

    !disclaimer! The printing functions of browsers are often still uncared-for, buggy and imprecise, so be prepared for glitches and paradox situations.​

    Post-Digital Print

    Examples:

    Frameworks:

    What you will need ✏️

    • A laptop + internet connection

    • browser (preferably Chrome)

    • text editor (e.g. Visual Studio Code)

    • live-server (e.g. Visual Studio Code plugin: live server by Ritwick Dey)

    • Cline Extension for AI assistance

    Framework used

    https://pagedjs.org/

    Paged.js is a free and open source JavaScript library that paginates content in the browser to create PDF output from any HTML content. This means you can design works for print (eg. books) using HTML and CSS!

    Paged.js follows the Paged Media standards published by the W3C (ie the Paged Media Module, and the Generated Content for Paged Media Module). In effect Paged.js acts as a polyfill) for the CSS modules to print content using features that are not yet natively supported by browsers.

    0 Creating a HTML / CSS project 📂

    1. Open Visual Studio Code (VSC)

    2. Create a project folder on your hard drive

    3. Open that folder in VSC

    4. create a new index.html and style.css

    5. in the index.html use ! (Emmet) to create a basic HTML file

    6. link the style.css in the head of the HTML using \

    7. test by launching the server

    1 Including Paged js

    Let's look at the documentation: https://pagedjs.org/en/documentation/

    Download the latest version of paged js:

    https://unpkg.com/pagedjs@0.4.3/dist/paged.polyfill.js

    + download the interface.css stylesheet from: https://gitlab.coko.foundation/pagedjs/interface-polyfill

    Put those files in you project folder and include

    <script src="js/paged.polyfill.js"></script>

    <link href="css/interface.css" rel="stylesheet" type="text/css" />

    in the HTML head.

    🙌 Great, we are ready for our first book layout

    To print the pdf do the following (from the paged.js documentation):​

    Click on the “Print” button of your browser. (It will most likely be in File > Print or, on your keyboard, CTRL/CMD + P)
                    

    2 @page 📄

    The styling of pages can now be altered by using the @page rules in the css as well as @media print media queries (you might know this from responsive design: @media screen and (min-width: 900px) for instance)

    General settings for the page:

    @page {
                            size: A5;
                            margin-top: 10mm;
                            margin-bottom: 10mm;
                            font-family: 'Franklin Gothic Medium', 'Arial Narrow', Arial, sans-serif;
    
                            @bottom-left {
                                content: counter(page);
                            }
                        }
                    

    Options for left and right page:

        @page:left {
                            margin-left: 10mm;
                            margin-right: 20mm;
                            @top-left {
                                content: "Chapter";
                            }
                        }
    
                        @page:right {
                            margin-left: 20mm;
                            margin-right: 10mm;
    
                            @top-right {
                                content: "Hybrid Publishing";
                            }
                        }
                    

    In the @media print query we can include all the styles that we want ONLY to appear in the print

    @media print {
                            html, body {
                                height: 99vh;
                                margin: 0;
                                padding: 0;
                              }
                    }
                    

    3 web and print at the same time 🏗

    To avoid loading the print preview already on the first load we can include the following little script:

    <script>
                            window.PagedConfig = {
                                    auto: false
                            };       
                    </script>
                    

    ! before the script include (<script src="js/paged.polyfill.js"></script>)

    and then create a button to call the preview:

    <button class="noprint" onclick="preview()">print preview</button>

    <script>
                    //this will load paged.js and generate the PDF preview
                    function preview(){
                            window.PagedPolyfill.preview();
                    }
                    </script>
                    

    with the noprint class we can hide elements in the print version in @media print

    .noprint{
                            display: none;
                    }
                    

    4 get the flow right

    Paged.js breaks the HTML content into multiple pages.

    With CSS properties we can control that flow.

    .chapter
                    {
                    break-before: page;
                    }
                    

    to break the page before every .chapterelement

    5 more options … … …​

    Setting bleeds:

    @page    {
                        bleed: 6mm;
                    }
                    

    Setting up crop marks:

    @page {
                        marks: crop;
                    }
                    

    Add content before:

    .note::before {
                        content: "Note: ";
                    }
                    

    counters: (e.g. for counting images)

    body {
                        counter-reset: figureNumber;
                    }
    
                    figcaption {
                        counter-increment: figureNumber;
                    }
    
                    figcaption::before {
                        content: counter(figureNumber);
                    }
                    

    generated images:

    .glossary::after {
                        content: " " url("/images/glossary-icon.png");
                    }
                    

    showing links:

    a::after {
                        content: " (" attr(href) ")";
                    }
                    

    Running title with header:

    h3 {
                        string-set: title content(text);
                    }
    
                    @page {
                        @bottom-center {
                            content: string(title);
                        }
                    }
                    

    page templates

    .frontmatter {
                            page: frontmatterLayout;
                    }
    
                    @page frontmatterLayout {
                            /* specifics rules for the frontmatter*/
                    }
                    

    select specific page

    @page:nth(5){
                    }
                    

    Creating a table of contents is a bit more tricky, but doable with some JS / CSS:

    https://pagedjs.org/posts/en/build-a-table-of-contents-from-your-html/

    Building an index:

    https://pagedjs.org/posts/en/build-an-index-with-pagedjs/

    Parallel flows:

    https://pagedjs.org/posts/en/parallel-flows-within-paged.js/

    Cross references:

    https://pagedjs.org/en/documentation/-cross-references/

    🍳 Let's cook some PDFs

    Experiment with CSS styles and content ~

    Many more options can be found in the reference: https://pagedjs.org/en/documentation/

    Booklet Imposition

    Download the imposition.js: https://gitlab.coko.foundation/pagedjs/pagedjs-plugins/booklet-imposition/-/raw/master/imposition.js?ref_type=heads\&inline=false

    Include in the index.html (! after the paged.js script):

    <script src="js/imposition.js"></script>

    In the CSS under @page add the following:

    --paged-layout: booklet;
                    

    Now if you click CMD+P the layout should be layouted as a booklet and ready to print!

    References and Resources


    Reading

    https://pagedjs.org/posts/en/parallel-flows-within-paged.js/

    Exercise

    Why noise?

    Please prepare

    • Laptop
    • Browser (preferably Chrome)
    • Visual Studio Code
    • Visual Studio Code plugin: live server by Ritwick Dey

    Reading

    • Miekal And: Why Publish Noise? 1992 (in the appendix)

    Task

    • Find a simple text (.txt file, max. 2000 words)
    • Formulate rules that (without implementing them in a layout) constitute a finished booklet for this text. Example: The format should be A5. The title is on page 1 and is positioned at the top left, The page number..., The text flows, the headings... etc. Be as precise as possible.
    • In the workshop, we will test how your (fictitious) rules work.

    Lesson 22.10.25


    Systems

    Discussion of the design rules found

    What rules were found?

    How are the rules formulated?

    -> Possible corrections

    Write rules in a pad as instructions?

    https://pad.riseup.net/p/book-rules-keep


    (A)bbreviation

    Special text passages are set in bold

    Stage directions are set in italics.

    Code blocks of any programming language are set in any blackletter font

    Names are set in small caps.

    (B)lank pages

    There is a blank page before each chapter.

    Different text alignment and deliberate asymmetry between the left and right pages.

    There are no page numbers on blank pages.

    (B)lank spaces

    Instead of blank spaces, the gaps are replaced with design elements ( -, _, /,|, *, etc).

    (C)aptions

    Captions are placed above the image on the left without line spacing.

    The caption is always placed opposite the image in the margin column on the double page, aligned at the top with the type area.

    (C)hapter titles

    Chapter titles refer to a period of time to which the information belongs, e.g., year xxxx, week x, hour/minute/second XX.

    (C)olors

    All chapter headings are set in color.

    (C)olumn titles

    Column titles are centered on the center axis below the page margin at the same height as the page number and in a smaller font size than the body text, with a consistent distance from the footer.

    Column titles are positioned vertically in the inner margin, flush with the top of the type area. Left from bottom to top, right from top to bottom.

    (D)

    (E)nd indents

    The first line of each new paragraph is indented to the right. However, the first paragraph of a chapter has no indentation.

    Indents are distinguished by a different color in the typography.

    (F)ootnotes

    The footnotes extend flush from the bottom into the page. The text grows upwards.

    The footnote is set in italics.

    The footnotes are smaller than the body text.

    (F)lush text

    Justified text is only used for direct speech, otherwise block text is used.

    (F)onts

    Never use more than two fonts.

    (F)ont size

    All texts, headings, page numbers, etc. are set in the same font size and font type.

    (F)ormatted text

    The text flows within a non-rectangular graphic shape

    (G)raphic symbols

    Graphic symbols are used as punctuation marks in the body text.

    Graphic motifs are visual elements that are repeatedly used by brands or designs. To maintain a sense of unity throughout the image, do not use them in a size that is too large or too small.

    The font sizes and styles are determined by the hierarchy of the content: heading > subheading > body text > footnotes

    (G)rid

    The layout follows a grid with 6 rows and 4 columns

    (H)eadings

    Always place the heading in large letters below the body text

    Place the heading on the left-hand page at the right-hand margin and the heading on the right-hand page at the left-hand margin.

    Chapter numbers and titles are indented to different degrees.

    (H)ighlighting

    When using a sans-serif typeface, emphasis is applied with a serif typeface.

    (When using a sans-serif typeface, emphasis is applied with a serif typeface.)

    (I)llustrations

    Full-page illustrations are used without page numbers.

    The illustrations are not included in the type area.

    (I)Images

    Pages that are completely filled with an image do not have page numbers.

    (I)nitials

    Initials are placed at the beginning of a body text, after the start of a new chapter.

    Initials are illustrated at the beginning of each new chapter.

    Initials as a decorative element at the beginning of a chapter.

    (J)ustified text

    The lines of justified text are slightly offset and the space between them is no greater than the space between words.

    The text leaves the justified text and extends beyond the center into the column of the other justified text.

    (K)

    (L)ists

    List items are inserted into lists and begin with a +, followed by the text content without spacing.

    (M)arginalia

    (N)ames

    Names of people or characters are mirrored on the X-axis.

    Names that indicate the acting character are set in small caps

    (N)umbering

    Numbering is set in a different font style.

    (O)rnaments

    An ornament is positioned centered after each paragraph

    Ornaments border the type area

    (O)pen capitals

    Open capitals (with outlines) only work in large fonts.

    (P)age number

    The page number is always 2 cm below the bottom of the type area. If there is no text on the page, the page number is at the top.

    The page number always appears 15 times on a page. They are always in the same grid (3x5).

    The page number always appears on the left-hand side of a double page.

    The page number is centered at the bottom and is cut off horizontally due to the book edge.

    (P)oints

    Points (.) are underlined.

    (P)unctuation marks

    are in a different color than the body text

    (Q)Quotation marks

    French quotation marks are used. “Quote.”

    French quotation marks are used the other way around. «Quote».

    (Q) Cross-references

    Cross-references are colored blue and underlined. The glyph ⤴ is inserted at the end of the text content.

    (R)eading direction

    The reading direction may vary.

    (R)otation

    All texts are rotated by 9°.

    (S)entence beginning

    Each sentence begins with a dash. — Like this.

    (S)mall letters

    Everything is written in small letters.

    (T)ype area

    The type area for continuous text is located exclusively on the right-hand pages with a single outer margin and a 6.5-fold gutter margin.

    Symmetrical double-page layout with wide outer margin.

    The type area is rotated 90 degrees counterclockwise.

    Individual words leave the type area and are arranged according to other rules.

    The type area is not symmetrical, e.g., always on the left.

    Uniform page margins for a calm layout.

    (T)itle

    The title on the cover is not horizontal and is not centered.

    The title is printed again in black on the first page of the book.

    (T)ypo

    Font size does not follow a fixed structure - RANDOM

    (T)ranslation

    Divide the page into two columns. The original text is in the left column, the translation directly next to it in the right column.

    (V)erses

    Each line of verse begins with the verse number. The text content of the verse is inserted, followed by a blank line.

    (V)ertical forms

    Vertical forms and text appear compressed to the human eye and therefore require a larger character spacing (+2pt) than horizontal text and forms.

    (V)ersal letters

    Comic texts are set in versal letters.

    Headings, column titles, and introductory texts are set in uppercase letters.

    (V)owels

    All vowels are changed with umlaut variations (also possible with consonants).

    (W)hite space

    White space is deliberately used as a design element

    (W)hite space

    Direct speech is set with a line break and the first line is indented.

    (X)- Height

    The position of the type area is calculated using the x-height of the font

    (Y)

    (Q)uotations

    All speakers are assigned a unique color, and quotations/reproductions of spoken words are set in the respective color

    (Z)Line spacing

    Inconsistent line spacing in the same typeface

    (Q)uotations

    Quotations are set in italics and extend 10 cm beyond the type area.


    Experiment: Design a layout using only this rule

    Micro/macro typography

    Exercise

    Conventional, unconventional

    Rules in book design

    Please look at (individual work) contemporary and antiquarian books and distill from your findings at least three conventional and three unconventional rules from microtypography (typesetting, detail typography, orthotypography) and macrotypography (layout).

    Please scan or photograph these findings and print them out in black and white on A3 paper.

    Please write down the rule—as short as possible, as long as necessary— as a single line on the A3 paper below the image.



    Lesson 15.10.25


    The Automatic Book

    Johannes Bergerhausen & Alexander Roidl

    Course description

    In this seminar, we examine the constitution of the book under the conditions of automated processes. What design is appropriate for current knowledge production today?
    Automation has shaped book design since Gutenberg: from lead typesetting, which determined font sizes and grids, to phototypesetting and desktop publishing, which opened up new freedoms but was also shaped by grid principles and software logic.
    For centuries, the typographic grid determined the order of text, images, and white space—while today, digital standards such as Unicode and EPUB define which characters can be displayed and how texts are structured and distributed on platforms.
    Each medium and each technology brings its own logic, structures, aesthetics (and biases). Which of these fit with our viewing habits today? Which design rules will still be relevant in the future?
    In pairs, we analyze and question the visible and invisible rules, systems, and algorithms of book production and publication. In the context of current developments such as print on demand, e.g.: www.apod.li and web-to-print, e.g.: https://prepostprint.org/resources/, we explore new possibilities for algorithmic, systematic design.
    Practical experiments result in books and publications that address, challenge, or outsmart the automation of book design, production, and distribution. Each group develops the “content” individually through a systematic process according to self-imposed rules on a topic of their choice.
    Thus, it is not only about the efficient implementation of layouts and print templates, but we also use the formats, processes, and restrictions creatively and artistically.

    Preliminary schedule

    Date Content
    15/10 Introduction to the topic
    22/10 Systems & Book Design
    29/10 Web-To-Print 1
    05/11 Web-to-print 2
    12/11 Grid / Layout / InDesign Scripting
    19/11 Print On Demand
    26/11 Project Idea Presentation
    03/12 Compile content
    10/12 Project work
    17/12 Interim presentation
    24/12 (Christmas)
    31/12 (Christmas)
    07/01 Project work
    14/01 Project work / Evaluation
    21/01 (BaMa colloquium week)
    28/01 Final presentation

    Organization

    • International student support

    • Guest students: Annabel, Sophie, Felix, (Meta Pub)

    Introduction

    The book today!

    • Combination of book design and new technologies

    • We shape tools and therefore our tools shape us

    • Gutenberg / phototypesetting / DTP

    Systematic book and layout design

    • Systematic approaches have been popular in layout design since the mid-20th century, when some creative designers began to design layouts based on grids and the variation of visual characteristics of typographic elements.

    • 1960s – Rule-based design: Karl Gerstner developed combinatorial layout methods and later formalized them for computers (Compendium for Literates, 1974).

    • Conceptual instructions: Sol LeWitt (1971) used formal rules to design an art catalog.

    • Algorithmic typography: Knuth & Plass (1981) optimized page breaks; Knuth developed Metafont (1982) and TeX (1991) for parametric, structured book production.

    • Automated layouts: Muriel Cooper and MIT students experimented with computer-generated layouts (1980s–1990s).

    • Interactive books: John Maeda's Reactive Book series (1990s) dynamically controlled graphics through user input.

    Rule-based design

    Web-to-print

  • Post digital Print (Ludovico)

    • Print is not disappearing, but mutating. Digital media are changing the production, distribution, and perception of print, but print remains a culturally charged, resistant, and haptic medium. The “post-digital” publication deliberately exploits the tension between the digital and physical worlds.

    • New publishing practices: print-on-demand, DIY zines, risography, and digital typography

    • Books and magazines become cultural objects

    • Modularity, versioning, non-linearity: Texts and publications are designed in such a way that they can unfold, grow, and change

    • Collaboration, participation, and peer communities are important—readers and other stakeholders are seen not only as recipients, but as part of the process

  • Print on demand

    • Books are only printed when ordered → no storage costs, small print runs possible.

    • Flexible & experimental: individual layouts, generative designs, web-to-print.

    • Artistic use: POD for limited editions, curated web content, experimental books.

    • Artistic examples:

    • Hybrid Publishing https://hybrid.publishing.systems/#/

    • KiTeGG Publikationen


    (1) Auto Book

    https://prepostprint.org/site/templates//img/ppp.svg

    (2) Systematiken

    https://seafile.rlp.net/lib/2db570d8-cb08-4e86-98f3-84dff78c4cb6/file/images/auto-upload/image-1760364064323.png?raw=1

    https://i.ebayimg.com/images/g/o6AAAeSwobZotxFJ/s-l300.jpg

    (3) Sol LeWitt Wall Drawings

    https://miro.medium.com/v2/resize:fit:1400/0*FXAwV-uGAF4i58o1.jpg?

    (4) Generative / Automatische Gestaltung

    https://workbook.conditionaldesign.org/retina/book_ret_1.jpg?

    http://www.generative-gestaltung.de/

    (5) InDesign Scripting

    https://type.hanli.eu/typepad-manual/

    (6) Web-To-Print

    https://prepostprint.org/

    https://pagedjs.org/

    https://office-roxx.de/wp-content/uploads/2022/06/STRG-P.jpg?

    (7) Einfluss auf Praxis

    https://cc.vvvvvvaria.org/wiki/images/thumb/a/ab/01-toolsshape.png/400px-01-toolsshape.png?

    (8) An der Hochschule entstanden

    https://hybrid.publishing.systems/#/

    https://unlearn.gestaltung.ai/de

    https://timrodenbroeker.de/wp-content/uploads/2024/08/01_Coverl-1.jpg

    https://cdn.shopify.com/s/files/1/0268/4407/0021/files/WEBBookImage-Environment.png

    (9) Print on Demand

    www.apod.li

    References

    Tools



  • Auto Book
    Meta Pub.

    About

    What does book design mean when layouts are no longer created page by page using manual or static layout tools?

    What happens when content updates automatically, systems make decisions, and design operates through rules, structures, and algorithms?

    And what role does print play when web, code, and analog techniques intersect?

    This project explores the tension between automated work processes and contemporary book design. Instead of traditional layout software, the focus lies on systemic thinking, fixed rules, and networked content.

    Automation enables new forms of production: content can be updated live, publications emerge from dynamic sources, and print often becomes a by-product of a larger, hybrid system.

    Drawing on historical and current forms of automation—from lead typesetting to digital standards and web-to-print—the project examines both visible and invisible design rules.

    Topics such as hybrid publishing, print on demand, system design, Paged.js, open source, and AI form the basis for experimental and systematic approaches.

    The resulting works highlight interfaces and symbioses between web-based design and analog techniques. Print is not replaced, but recontextualized.

    The publications consciously work with processes, formats, and limitations. Automation is understood not only as a tool for efficiency, but also as a creative and artistic method to reveal, question, and rethink existing systems.

    What?

    The website presents all projects created during the seminar—eight different positions on automated publishing that frame and expand the course chapters. Within these chapters, the course content is reflected and complemented by exercises and selected example outcomes.

    The goal is to offer readers an easy and low-threshold introduction to the topics covered in the seminar—mirroring our own learning experience.

    Automation

    Several processes within auto book meta pub are fully automated:

    • The Interface controls allow users to personalize content size directly within the paged.js file for printing.
    • All website links are automatically converted into scannable QR codes for the print version.
    • Both the website and the book follow a set of design rules developed together during a course workshop.
    • A conversation tool enables keyword-based filtering of quotes from a fully transcribed seminar.

    Binding instructions are included directly in the paged.js file.



    Imprint

    Contributions

    • Sadaf Jalalian
    • Lily Heinritz
    • Clara Bröning
    • Marei Hager
    • Kristina Busch
    • Lucas Terburg
    • Edda Seibert
    • Ellinor Gockel
    • Tim Bauer
    • Tobias Anspach
    • Lenny Bittger
    • Sooryeon Kwon
    • Kristina Goettgens
    • Polina Pashkina
    • Franziska Stroh
    • Johanna Ludewig
    • Jiyeon Yang
    • Emily Wagner
    • Felix Stadler Marcos
    • Sophie Kunle
    • Annabel Scheffler

    Software

    paged.js

    Printing

    RISO – Mainz University of Applied Sciences
    Printing & Paper – Mainz University of Applied Sciences

    Paper

    Salzer EOS, 60 g/sqm

    Fonts

    • EB Garamond
      Design: Georg Duffner, Octavio Pardo
    • Almendra Display
      Design: Ana Sanfelippo
    • Sligoil Micro
      Design: Ariel Martín Pérez, Đông Trúc Nguyễn

    Course

    The Automatic Book
    Alexander Roidl (Interim Professorship in Communication Design)
    &
    Johannes Bergerhausen (Professorship in Typography and Book Design)
    Mainz University of Applied Sciences

    Design & Implementation

    Felix Stadler Marcos, Sophie Kunle & Annabel Scheffler

    Impressum

    Datenschutz